What birds might you see at RSPB Fen Drayton Lakes?

To me, it will always be Swavesey Lakes, but when the RSPB took on the old gravel pits that lie north of Fen Drayton, south of Holywell and west of Swavesey, they deemed a name change was in order, as I understand it.

The lakes, riverside, traditional meadows and hedges are linked by a network of paths and alongside is the Great River Ouse, which begins in Syresham in South Notts winds its way through East Anglia to The Wash. It’s a lovely site, you’ll see vast starling murmations at dusk in the early autumn, but at this time of year it’s a flutter of activity from countless feathered friends.

We parked up at about 10 on the late May Bank Holiday Monday in 2017, and could immediately hear willow warbler, chiffchaff, great tit and a couple of distant cuckoo.

Overhead what I thought was probably a marsh harrier or two, but actually realise now they were red kite. On the “board” promise of a bittern and oystercatchers with young. We saw a colony of greylag geese with goslings on the opposite bank of the River Great Ouse, but no other obvious bird young. The greylag’s had neighbours too: Egyptian geese.

On the pontoons that festoon some of the lakes there were plenty of black-headed gulls nesting and some common tern. On the outcrops into the lakes and the water’s edges: mallard, tufted duck, lapwing, mute swan, great crested grebe, redshank, cormorant, pochard, grey heron, and various others.

In and around the trees: blackcap, sedge warbler, long-tailed tit, robin, blackbird, wood pigeon, chaffinch, chiffchaff, goldfinch, collared dove. And, among the reeds, reed bunting, whitethroat, and reed warbler too. And a pair of nuthatch, based on a fleeting glimpse of two small birds with blue-grey colouring and rusty flanks and a monotonic and repetitive whistling.

Overhead Canada and greylag geese, mute swans, housemartins, barn swallows, and others.

Having heard the cuckoo there was always the hope of spotting one of these rapteurish-looking parasites, but we were not in luck.

I was also hoping to catch a shot at a yaffle or two (green woodpecker, in French: Picvert, “green pick”). As we drove off the site, there were lots of LBJs and we almost ran over a yaffle, which took to the air just in time. The female partridge on the opposite side of the road barely flinched and the female yellowhammer just flew.

I should point out that we were there in the middle of the day, a dawn or dusk visit would be much more fulfilling given the dawn chorus or the twilight hunters and the birds coming home to roost, respectively.

 

Silent wings of the barn owl

Walking the dog at dusk out on the Cambridgeshire fens mid-May, lots of swallows around, meadow pipits, yellowhammers, the inevitable wood pigeons, collared doves, starlings and blackbirds, a few LBJs (little brown jobs), chaffinch, house martins, robins, (barely glimpsed, but certain) goldcrests and more. Heading along the lode thought I saw a little egret out of the corner of my eye, but turned to see a beautiful barn owl (Tyto alba) in the lowering sun circle the fields, hunting small mammals, worrying the skylarks on their nests.


barn owl in flight, closeup
The shot above was the first I captured, it’s often the way, first shot on the reel is the best, the most spontaneous, the one that’s just right, the subsequent photos are as the owl passes by and so mostly rear-end shots. He did bank around again and fly towards us a couple of times, taking no heed of our presence nor of the dog, and not even the sound of the camera’s shutter distracted from his time to pray. Here he is being defined in his nomenclature by the that most obvious of farm buildings, a barn.

barn owl and prey
He circled back around of the field on our side of the lode and we watched as he dived down, emerging from the long grass a few seconds later with a shrew in his talons before heading off in the direction of a patch of woodland (ironically close to where we’d parked the car).

barn owl and barn
It must be ten years since I last got a photograph of a barn owl. We’ve seen a few and certainly enjoyed watching one range alongside the car in the Yorkshire Wolds a couple of years ago, presumably hoping our wheels would disturb the roadside mammalia into scurrying.

Barn owls are well known as silent fliers. Their wings are huge compared to their body size and mass, they are also curved. Both characteristics are evolutionary adaptations to their hunting technique. They can move very slowly with barely a flap even in the lightest of updrafts almost hovering over prey they have sighted. But, it is the structure of the feathers which makes them much quieter than other raptors allowing them to hear prey without the background noise of their own wings.

The barn owl’s wing feathers are soft which smooths airflow, reducing noisy turbulence. In addition, the leading edge of their foremost wing feather (the 10th primary) is fluted appearing to have tiny barbs (that have tiny barbs upon them) that break up the airflow hitting the wing and again reduce noisy turbulence.

It might be that the flutings raise the frequency (pitch) of the sound above that audible to prey and perhaps the owl too. Indeed, the owl’s silence does mean that it can hear its prey in the groundcover whereas other noisier raptors need to rely almost entirely on their sight (viz, the kestrel hovering high above likely targets).

Nice BBC program showing pigeon, peregrine, and barn owl in flight. The sounds they do or don’t make and the turbulence their wings do or don’t generate. It’s worth noting that pigeon wing flaps are thought to be a communication device too. Peregrines stoop on their prey so quickly and aren’t flapping when they do so any noise the make in normal flight doesn’t matter. Also, Barn Owls keep quiet not so that their prey don’t hear them, but so that they can hear their prey and home in on the tiniest rustle of blades of grass or the twitching of a rodent whisker.

Oak apple day

An oak apple or oak gall is the common name for round, vaguely apple-like, galls formed on many species of oak, they’re usually and inch or two in diameter. They grow when a female wasp of the family Cynipidae (commonly in Europe, the wasp Biorhiza pallida) lays a single egg in a developing leaf bud. The larva that emerges secretes chemicals that cause the tree to pump nutrients into the “infected” leaf bud and the larva then feeds on the gall tissue.

There were numerous oak apple growing on this tree (Quercus robur, commonly known as the pedunculate oak or English oak) growing in the centre of Rampton Pocket Park. Oak Apple Day (or Royal Oak Day) used to be a public holiday in England held on 29th May to commemorate the Restoration of King Charles II in 1660, alluding to him purportedly hiding in an oak tree during the English Civil War.

Why is Venison never cheap?

Why is venison never cheap? Well…it’s always deer!

The old ones are the best…the joke seems to have put a smile on this muntjac deer’s face, although she wouldn’t be so pleased with herself if she knew what we had for our Sunday roast. Female Reeves’s muntjac, Muntiacus reevesi, ambling along a rough hewn field on the fen edge village of Cottenham a few miles north of Cambridge.

Muntjacs, also known as barking deer and Mastreani deer, are members of the genus Muntiacus. Evolutionarily speaking, they are the oldest known deer having emerged some 15—35 million years ago, remains have been found in Miocene deposits in France, Germany, and Poland. The present-day species are native to South Asia but a large feral population exists in England. It was once claimed that the muntjac in England were all descended from escapees from the Woburn Abbey estate, Bedfordshire, in the mid-1920s, but it’s more likely that the population has its origin at Whipsnade Zoo.

Great spotted fledgling

The Great Spotted Woodpecker chick (Dendrocopos major) I have been photographing these last few days is getting very bold and almost bouncing out of his tree house when the adults visit with food.

I am surprised that there is only one chick, maybe nest size limits how many eggs the female lays. Either way, this little fellow with his red crown (does that make him a male?) is clacking away requesting regular invertebrate meals from the male (with the red nape to his neck) and female (black and white, but for her rump). Mrs Sciencebase reckons the clacking of the adults from neighbouring trees is probably encouragement for the chick to fledge (we’ve not heard much calling from them). The chicks head seems at least as big as his mother’s, so presumably he is almost read to leave the confines of his woody abode.

Here are a few more shots of male and female attending to the needs of the chick. That beak is sharp, makes sense for Dad to close his eyes while passing grubs beak to beak.

 

Speckled brown butterfly

Snapped a speckly brown butterfly in the local woodland, went to my book…misread the page pictures, thought it was a woodland brown (Lopinga achine), but 1 AND 2 were of the same speckled brown species, the woodland brown is absent from British shores. Turns out to be a female speckled brown (Pararge aegeria). A lot less timid and flitty than many of the butterflies around, sunning itself on a nettle patch while I walked around it to get a couple of closeups. I was using a 600mm lens from about 3 metres away, but had to walk closer to it along the path to get to the other side for the open-wings view.



Thanks to Lisa King for correcting the error, I have now added the speciment to my invertebrates gallery on Imaging Storm.

Classic Chords #19 – Fire and Rain

James Taylor has written many classic songs, they’re the archetypal singer-songwriter songs you might say. Wonderful melodies, intriguing lyrics and when you’re listening to the originals, wonderful guitar tone and fingerstyle playing. One of the things you quickly learn in attempting to play and sing these simple-seeming songs is that they’re not at all simple, in fact they’re quite tricksy. Taylor does not always use the standard fingering even on the simple “CAGED” major chords like D and G.

Ring finger at D on the B-string and the F# is usually played with the second finger fretting the E-string at the second fret. Taylor prefers to twist that around, so that his index finger is doing the fretting on the highest string and so he can then use it to bring in bass notes on the lower strings. Presumably to toggle between the D major, a D(addE) and Dsus4, he lifts off the index finger and uses his pinkie to get the G on the high E-string.

Anyway, Fire and Rain…one of the best songs ever written, evocative and autobiographical and particularly poignant in being partly about a friend of Taylor’s Suzanne Schnerr, a childhood friend who committed suicide while he was recording in London. There’s lots of fingerstyle tricks in this. It’s usually played with at capo 3, but for simplicity let’s forget the capo. The intro has some little slides and movements back and forth from a G to an A at the fifth fret and back and then jumps to a D, the open position A, with various hammer-ons, pull-offs and trills an E and then a bass run to the G major.

Well, I say G major, what he does is arpeggiate what you’d think of as a conventional G-major but with the ring finger giving us an extra D note on the second string at the third fret (remember capo free in this key). The pinkie lifts off the G note on the top E-string to give us a G6, but the index finger also jumps off the bass B note on the A-string and comes down on the F# on the top E-string to give us a Gmaj7 (well, actually if you keep that D fretted on the B-string it’s a D9Add4), but if you lift that off to give us a B again, it’s the Gmaj7.

Rather than a simple sample of this issue’s Classic Chord, I’ve got a complete cover of the song I recorded a few months ago and I’ve made a lyric video.

Of course, if you want to watch the great man playing it with his interesting fingerings, feel free.

Don’t touch me there

Every year little blue flowers emerge…I can never remember their name and always have to ask Mrs Sciencebase to remind me…oh yeah: “forget-me-not” also known as “mouse’s ear” because of the shape of its leaves, and one of many types of scorpion grass, common one here has the scientific name Myosotis scorpioides)

But, the forget-me-not is not the only plant giving us orders, there’s also the “touch-me-not” (Mimosa pudica, the shame plant; pudica is Latin for shy, bashful or shrinking (as in violet)) Anyway, the pinnate leaves of this species will fold back on to themselves quite quickly with the gentlest touch.

This behaviour is presumably a protective mechanism to avoid the leaves being eaten by herbivorous insects or to make it awkward for female insects to lay eggs on the surface of the leaves. So, how does a plant “know” to do this with its leaves? The leaves of many plants respond to changes in light and weather by closing up, it is known as seismonastic movement, most are quite slow, but all involve plant chemistry responding to an external stimulus whether falling light levels, temperature change, wind or the touch of a finger (or insect alighting on the leaf).

Whatever the stimulus it is transmitted through electrochemical changes at the cellular level, passage of an action potential which causes potassium ions to flow out openings in the plant cell walls, this then causes water to flow out of the cells through osmosis through the cells aquaporin channels, to attempt to balance the change in potassium ion concentration. Loss of water from the cells makes them floppy, or technically speaking become less turgid. Differences in turgidity in different regions of the leaf and stem lead to the “closing” of the leaflets.

Classic Chords #18 – Times Like Foo

Fellow C5 band member Andrea had a suggestion for a classic chord, one she’s not found a satisfactory resolution for in “Times Like These” by Foo Fighters. As Andrea points out, there are two versions: the original Rush-influenced album version with the following riff that sounds a lot like a Lifesonesque version of The Cult’s “She sells sanctuary” and a softer, less discordant acoustic/unplugged/laidback version that lends a little bit more to R.E.M.

I had a quick look at videos of Dave Grohl playing both versions just to get a measure of what he’s doing in both settings. The simpler way to play the intro to this song is to fret a conventional D major chord but lift off your (index) finger from the G-string to create what is technically a G major 9 (GM9) and then hammer-on back to the normal note of A on the G-string to give you the Dmaj. So far, so conventional. It’s a nice trick and it’s a nice sound, but it’s not the sophisticated discordancy we’ve all grown to love of the album version of the track.

On the album though that heavy intro is much more discordant and it looks like he’s playing an interesting chord at the fifth fret and shuttling between an open D-string for the root note and hammering-on to the fifth fret on the A string, essentially muting that D-string but keeping the top three strings ringing a note, keeping a Dm13 (D minor 13) as a Dm13 played at the fifth fret with two different slightly different fingerings. I doubt that open D string rings much as the hammering-on to the 5th fret of the A-string is happening.

For those who don’t know, foo fighters is term that was used by Allied pilots in WWII to refer to unidentified objects in the sky.

I recorded an approximation of the riff using the Dm13 and the AM9, thos chords…they’re almost jazz…but then Grohl’s guitar hero Alex Lifeson (more him in the Hemispheres and Limelight classic chords) uses a lot of what you might term jazz chords (as if chords are interested in genre, anyway!) I should do the chords from Rush’s Lakeside Park next given that it’s the 24th of May, a day on which everyone would gather.

Starling chick waiting to be fed

I’ve been walking past trees with lots of woodpecker holes recently and, as regular readers will know I’ve photographed the great spotted woodpeckers that are feeding chicks in the highest hole. Got some good shots of them flying in and out of the male with a load of grubs in its mouth ready to enter the nest.

It’s always feeding time in a bird’s nest whether that’s a hollow in a tree, a nest of twigs and feathers or a ground nest, which might be a simple depression on a sandbank or in a field.


Starling chicks (Sturnus vulgaris) are no different in their voracity for invertebrates. I was aware of parents flying in and out of a hole in a tree next to the woodpecker residence and caught sight of a chick poking its head above the proverbial parapet while its parent clacked and yacked on a nearby branch. It was only happy to fly in to nest to feed the chick(s) once I’d moved a few metres further away.




The common, or European, starling is a nosy bird with glossy black plumage that has something of a metallic sheen and shimmers with greens and puples in sunlight. It might also be speckled white at different times of the year. The legs are pink and the bill is black in winter and yellow in the summer.

Meanwhile, just been through my photos from Botswana, lots of birds, but no sight of a superb starling, which I remember being particularly fascinated by 25 years ago…just for the name alone.